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Silence
Shusaku Endo

Father Sebastian Rodrigues is a Catholic priest whose dream it is to go to Japan as a missionary. When news reaches Portugal that his old teacher, Father Ferreira, has apostatized, he finally receives permission to go to Japan, where Christianity has been outlawed, and all foreign priests are persecuted.
When Rodrigues enters Japan in a little boat in the dead of the night, a hidden Christian community welcomes his arrival and hides him from the authorities. However, he is soon betrayed and imprisoned, where he awaits his trial at the hand of the lord Inoue. While in prison, Rodrigues reflects on his life and faith, and can finally meet with Ferreira, who has an unexpected confession.

I greatly enjoyed this gripping story, and from the very beginning, you want to know what will happen next. Endo tells of the persecution of Christianity in the early Edo Period in great detail, but always through the eyes of the outsider Rodrigues. Once captured, he questions his determination and even faith, and the “silence” of the title refers to that of God, who is unmoved by the sufferings of the Japanese Christians and Rodrigues’ prayers. A great history lesson in a great story of human (and divine?) failure. Highly recommended!

Shusaku Endo was born in 1923 in Tokyo, but his family moved to Machuria when he was three. Already in elementary school, he published a newspaper with friends. He returned to Japan with his mother after her divorce in 1933, and one year later, he was baptized at a Catholic Church. He began studying in 1943 and started publishing stories in literary journals throughout the war. Endo received the Akutagawa Prize for “White Men” in 1954 and the Tanizaki Prize in 1966 for “Silence” which was turned into a film by Martin Scorsese. Most of Endo’s writings have a decidedly Christian, if not Catholic, bent. He died in 1996 in Tokyo.

This historical novel may not be the best read for the Christmas season, but if you want to give it a try, it’s available from amazon.

The Woman in the Dunes
Kobo Abe

Niki Jumpei travels to a remote beach to catch sand beetles for his collection. On his search, he discovers a village with houses that are overcome by the sand, so much so, that some of them stand on the bottom of pits dug into the dunes. When he misses the last bus home, the village elders allow him to stay with a woman who lives in one of these sunken houses. The next morning, however, Jumpei finds himself trapped down there. Forced to help the woman excavate the sand so as not to be buried by it, he must choose whether to fight against the inevitable or to give in to it – and to the woman.

This is probably the best known book by Kobo Abe and a personal favourite of mine to which I return every so often. We follow Jumpei’s inner journey as he is trapped at the bottom of the pit, and the question “what would I do” is ever present. The ending of this novel is interesting, and depending on your own answer to the question above will either come as a shock or as a natural conclusion of Jumpei’s path.

Kobo Abe, born in Tokyo in 1924, was a Japanese writer, playwright, musician, photographer and inventor. Following his father’s footsteps, he studied medicine in Tokyo and graduated in 1948. In his last year in medical school, he started writing short stories, and already in 1951, he received the prestigious Akutagawa Prize. Woman in the Dunes, published in 1961, earned him the Yomiuri Prize and international acclaim and was turned into a film. Abe was famous for his surreal and modernist style. He died in 1993.

Somehow, I feel that this kafkaesque novel is the perfect ending for 2020. If you want to give it a try, you can get it from amazon.