Maguro

In Japan, tunafish is the most popular fish for sushi and sashimi. Large tunafish can sell at auctions for thousands of US$, and the carving of a tunafish into bite sized pieces is an attraction that draws lots of people every time. Thanks to Japan being an island, fish is popular and ubiquitous, and most people buy their tuna – fish in general – raw and cook it themselves.

In the West, tunafish is much less attractive. Of course, it is eaten often, but not many people have ever seen anything else than the cooked pieces that are drowned in oil and packed in cans. In fact, this kind of canned tuna also exists in Japan, of course, but here it is called “sea chicken” for some reason.

The best way to cook tuna – according to a Japanese tuna salesman I asked – is to grill it very lightly so that it is still raw in the middle, just like good steak. But the most delicious way to eat tunafish is as sushi or sashimi because only there the delicate taste comes out as it should. What many people don’t realise is that tunafish tastes differently depending on which part of the fish is eaten. After all, a grown tuna can be up to one metre long, that’s a lot of meat!

3 types of maguro sushiWhen eating sushi, there are essentially three types of tuna available: Maguro sushi is the most common, and this is usually what is served abroad as well. It is dark red, comes from the fish’s back near the spine and is the leanest type of tuna. Pieces from the belly are called Otoro, their color is light pink because they contain a lot of fat. Often, otoro pieces are marbled like good beef, and they are so tender that they melt easily on the tongue. The taste is quite oily though, not everybody likes that. A bit more to the inside of the belly of the fish are the pieces called chutoro (written with the Kanji for “middle”). They are pretty much in the middle between maguro and otoro, in taste, fat content, and in color.

Interestingly, otoro is the most expensive part of a tuna fish, at least of the parts that are eaten as sushi. For the average Westerner this must sound strange – just imagine all that fat! – but the Japanese don’t mind fat that much, and otoro is very tasty indeed. If you have a chance somewhere at a sushi bar to try out all three kinds of tuna cuts, do so! You will not be disappointed, promised!

Four Seasons

When you start living in Japan, sooner or later you will start talking to some Japanese about your own country and how it is different from Japan. And then, the topic of the seasons will come up, and your friend will say something like: “You know, in Japan, we have four seasons!” with a gleam of pride in her eyes, as if the concept of four distinct seasons is something no gaijin has ever heard of. However, said gleam will immediately turn to bitter disappointment upon your answer: “So do we. So what?”

I think I finally figured out what they really mean with that. it’s not the fact that there are four distinct seasons at all, the Japanese are well aware that other countries have those too. Also, it is easy to diagnose summer when it has 35 degrees outside, or to declare winter when you’re suffering from frost bite. I think what they mean is that the change of seasons is obvious, irreversible, and swift. Sometimes the change of season is so abrupt, it happens over night.

red ivy leaves on a brick wallFor example, it is already autumn here. It started about 2.5 weeks ago. How I know? Well, it has cooled down, even though we still have more than 30 degrees. There are also more rainy days, but that’s not it either. The two things that made me sigh with relief: Humidity has dropped considerably, from one day to the next. Now I have to actually move to start sweating, in summer this is not necessary. Also, most of the cicadas that make summer so noisy, have died. There are still some around, but there are much fewer individual insects, and those are different species since their call has changed.

Thinking about it a bit more, I now believe that all the four seasons in Japan have a rather distinct point as to when they begin. And most of those points are not related to any fixed day, obviously, but to some event in nature. That’s probably the reason why the Japanese love any kind of nature viewing so much: They know the cherry blossoms mark the height of spring, and that when the momiji colors are over, winter will come. It’s also easy to notice these things when you’re living in a wooden house with hardly any insulation, as most of the old Japanese did, and many still do.

Anyway, let me list the things that mark the new seasons in Japan. Feel free to comment if you think I’m wrong, after all, this is just my theory.

Spring starts with the ume (peach blossoms). It is still cold then, and it may still snow, but once the red peach blossoms can be seen, they mark the end of winter. The height of spring has been reached during hanami – cherry blossom viewing. And once the last cherries have lost their blossoms and put on their green leaves, it will only take a week or two more to arrive at Summer.

Summer begins some time in May when the temperature rises further, but even more so, humidity. Early summer comes with tsuyu, the rainy season, and the rain does not ease the humidity, on the contrary! When you can’t seem to stop sweating, no matter what you do (or not do), that’s summer. At some point the cicadas will start their noisy song, marking midsummer.

Autumn, as I said above, will start with a sharp drop in humidity, usually at the end of August. The cicadas drop from their trees as well, and you can enjoy silent nights of sleep again. The most beautiful part of autumn is the koyo, when the leaves of the maple trees turn red, orange, or yellow. That does not happen until the night temperature falls below a certain threshold, but from then on, the momiji can be admired for two or three weeks. Once their leaves fall to the ground as well, some time at the end of November, that’s the end of the season.

Winter starts a week or two after the koyo, again with a drop in temperature. It may not snow everywhere (it doesn’t in Kyoto), and the temperature will hover just above zero degrees. It will be quite dry though, and especially clear days will be wonderful to go out and climb up somewhere and have a look over the country.

That’s my theory. Autumn was obvious this year, I will try to see if I can notice a similar swift change for winter. This whole year has been usually cool, I just hope we will not get an early and too cold winter this time…

Affiliation

I have been very busy here. One problem with doing too many things at the same time is that there is the nagging feeling that you don’t really accomplish anything…

One thing I did accomplish is to finish a new “books” page for the blog here, see the new link in the menu on top. It simply lists all the books I have reviewed on here so far, and repeats the synopsis and my review. Every book includes a link to amazon in case you’d want to read it yourself, but: caveat emptor! The links are now running through my brand new amazon affiliate account, which means I’ll get a little percentage of every purchase you make through any of the links.

This is something I thought of doing for a while already, but I always held back. Mostly because amazon’s affiliate program is…. let’s say, not very friendly to anyone outside of the US. It must be a US thing, somehow, because quite clearly they have never heard of something called “international bank transfer” or, worse yet, “paypal”. If I ever manage to make enough money so they’ll pay me out, you know what’s going to happen? They’ll send me a check.

Yes. A piece of paper. Through the mail. Surface, for all I know. Which will cost me a fortune to cash on this continent, I’m sure. At least they are waiving the 15 $ fee they would charge, because without an American bank account, this is the only way to get paid. Except for an amazon gift card, which is not  optimal either. The main reason I signed up for the affiliate program after all is that many of my readers are from the EU, and there I can transfer the money to my account in Austria. That’s the reason why – if you click on a link – you should be redirected to whereever the “closest” amazon store is to your computer’s location.

Not that there will be any of that anytime soon. A book sale earns a commission of 4%. With a standard price of a paperback of say, 10 $ or EUR, one book sale will earn me 40 cents. And with the minimum payout per check of 100 $ or EUR, that makes a sales volume of 250 books. I guess I can expect that first check from the US by the time I’m retiring. Maybe I shouldn’t make big plans for the money just yet.

However, the main reason I thought so long about monetizing the blog in any way is that it is more of a private endeavour, and most of you who are reading this I know personally. And it’s just not fair to make money off your friends… So, don’t worry about it, this is not going to turn into one of those sites where you need an ad blocker to get rid of all the bouncy stuff running left and right. And there will be no google Adsense that will put a link under every second word I write and bring you to somewhere I cannot control. And no, I will not start writing posts about random stuff to buy – I’m sure if you need something, you can find amazon on your own.

However, I will keep posting my book reviews. I love books, and I have a long reading list for Japanese literature. And I guess if you’re here reading this blog you might be interested in that as well. From the beginning of writing here I wanted to post one book review per month; I didn’t quite get there (so many other exciting things going on in Kyoto), but with work keeping me behind my desk more than I like, I might just (have to) do that.

The Hunting Gun

The Hunting Gun
Yasushi Inoue

Hunting Gun CoverA man who calls himself Josuke Misugi recognizes himself as the figure described in a poem published in a hunting magazine. He writes to the poet and sends him three letters he had received from the three most important women in his life.

Saiko, Josuke’s wife, found out the identity of his long-term lover, and now wants a divorce. In a matter-of-fact way she not only tells him what she has chosen from their property, but also that she had been unfaithful as well for years.
Midori, Josuke’s lover and cousin of Saiko, has been sick for a long time. When Saiko finds out about the affair with her husband, Midori is ready to put a long intended plan into action. She writes a last letter to Josuke and then poisons herself.
Shoko, Midori’s daughter, finds her mother’s diary and is shocked to learn about the affair. Finding it hard to deal with it, she decides to end all contact with both Josuke and Midori.

The three letters tell the story of not only the three women’s, but also of Josuke’s life, and the only things we hear about him are seen from their perspective. The main themes of the novel are love and loneliness, and how the former may lead to the latter.

Of all the four people involved, I mostly felt for Shoko. Finding her mother’s diary and seeing how she had suffered emotionally for so long, almost leads to Shoko’s own breakdown. Shoko’s letter feels the most distressing of the three, her new and thus still raw feelings are expressed beautifully and perfectly by the author.

Yasushi Inoue (1907 – 1991) was born in Hokkaido and studied history and art at Kyoto University. He started writing very late, and his first short stories were published in 1949; they won him the Akutagawa Prize one year later. In the 40 years until his death, he was one of the most prolific writers of Japan, he published many short stories, but also full size novels. He is most famous for his accurate historical fiction and is still one of the most read Japanese authors in Germany.

Check the book out on amazon.

Mountains

A friend of mine is an artist who makes woodblock prints in the shin hanga tradition, and his flower prints have a very distinctive style. He is also teaching people the art of shin hanga woodblock printing, and some time back in June, I went to his yearly exhibition of prints made by his students.

Art is something very personal, and my approach to it is straightforward: Either I like something, or I don’t. I don’t care for big names or current movements, if something doesn’t strike a chord within me, that’s it. I guess I would neither make a good art critic, nor a good art collector… Anyway, I went to my friend’s students’ exhibition without big expectations and I was not disappointed. Some pictures I just passed by, others I recognised because they were of places in Kyoto I had been to myself, and a handful or so were really fantastic.

My favourite print was a scene from the Japanese Alps, somewhere in the central provinces: A high mountain range during sunset. It instantly reminded me of home; the bare rocks of the mountains, the gleaming colors of the sun lit slope… I returned to this picture two or three times, and I talked about it to the people at the entrance (also students of my friend), and then I left. And nothing more happened.

Until a few weeks ago when my friend announced that the student who had made the mountain scene had decided to give it to me. Just like that…

Evening sun at Kitadake.It’s called “Evening Sun at Kitadake”, which is the second highest mountain in Japan with 3193 m elevation.  It’s a very simple image but very powerful, to me at least, who loves mountains. And that’s exactly the way the Austrian mountains look like – it makes me almost a bit homesick! I now only have to frame the picture and then I will hang it on a wall in my new home to remind me of my old home one and a half continents away…

Worried

Today, I came home after a hard day that started off with killing cockroaches in front of my door (again) and that ended with being squeezed into a packed tourist bus after having to go to the station for (scanner) shopping. And just when I was getting ready to unpack my new scanner and try it out, I glimpsed at the news… Here’s a link to the (English) Japan Times, just in case you don’t know what I’m referring to: https://www.japantimes.co.jp/news/2017/08/29/national/north-korea-fires-missile-japan-reportedly-breaks-falls-pacific/

Apparently, around 6:06 this morning, dear leader Kim Jong-un has fired an intercontinental missile somewhere into the Pacific, straight across Japan. And since then, North Korea’s action has been condemned virtually everywhere from Japan to the US (who say they stand 100% behind Japan), to China, and the EU, and even Russia is on our side for once.

And I’m standing here without knowing what to think, really. In my view it’s unlikely that North Korea will attack Japan directly, since Japan with their doctrine of “self-defense” will not shoot first. However, if they attack either South Korea or – gods forbid – the US itself, then Japan will probably get drawn into the conflict one way or the other, not something I’d like to see up close.

The main problem is that both Kim and Trump are essentially overgrown children who like to throw all their toys out of the pram, and who are more or less immune to any reasoning or advice. And it does scare me as to what could happen if they are both unleashed at the same time… Nothing the world needs right now (or ever), really.

Below is a graffiti in Vienna by the artist Lush Sux. I’m not sure it has a name, but let’s call it “Kim Jong Trump”. Kim Jong Trump

 

Sento Kuyo

In August, when the Japanese celebrate Obon – the festival of the dead – there are many related events, and not all of them take place during the few days leading up to August 16th, when the dead are sent back to the underworld again. The Sento Kuyo or Manto Kuyo festivals take place at temples throughout Japan, and they are meant as memorial services for ancestors long gone.

Tonight, there was the Sento Kuyo (literally: 1000 lights memorial service) festival at Adashino Nenbutsu-ji Temple. This temple from the Heian period, located in the Arashiyama mountains west of Kyoto, is famous for its approximately 8000 stone monuments. Many of them are quite small and have been found during excavations in the area – which has long been a graveyard – in the early 20th century and relocated to the temple grounds. Some of them are in the shape of small Japanese tomb stones, others may have once been Jizo statues; it’s hard to say because they are heavily worn with age.

8000 Monuments at Adashino Nenbutsu-jiWhatever their former purpose, they now stand densely packed in a walled part of the temple grounds, with a large stone pagoda and Buddha at the center. And this garden of stones lies at the centre of the Sento Kuyo ceremony. In the beginning, the monks chant sutras in a small building adjacent to the cemetery. Then, the first candles are lit before the central Buddha in the cemetery and the monks pray there, before making a round through the cemetery.

Temple staff will now light the first candles and distribute them throughout the graveyard, there are little iron spikes everywhere, on which the candles are placed. When the first candles have been lit, visitors to the temple are now invited to also light a candle at one of the stones. I have seen many people doing this and saying a little prayer there, even though it is not known whom the stone belonged to – or if it was ever meant as a tomb to begin with. Lit candles during sento kuyo festivalThe ceremony starts at 18:00 and there is chanting all the way through until the temple closes again at 20:30. It is very nice to watch as dusk is falling and the candles are (almost) the only thing lighting up the graveyard in the end. I think it was a beautiful and spiritual sight, but the Japanese friends I talked to say to them it’s just creepy. Maybe that was part of the reason why the ceremony attracted relatively few people. At least it did not feel crowded at all, even though the part where the ceremony took place is relatively small.

After I had decided to have taken enough photos, I left, and downstairs, on the street passing the temple, there was another, more profane light up: Large hand painted lanterns lined the street on both sides, and here and there, huge oval lanterns were hung up and served as a focal point. Many of the lanterns were painted by kids, but there were a few really artistic ones as well. The backdrop there were old houses; apparently this is part of a special preservation area at Arashiyama.

Lightup in ArashiyamaIn any case, I had a nice evening watching the ceremony. It was touching to see people coming and praying over their candle that they had just placed somewhere… I really should go there again at some point and have a closer look at Adashino Nenbutsu-ji and its surroundings – during daylight hours.

Half Dan!

I haven’t written about it for a while, but I am still pursuing the goal of getting a first dan grade in soroban. So far, I have made two attempts, one back in May, and the other last month, in July. In May I failed pretty clearly (you need at least 100 points in 6 of the 7 categories, and I passed only a single one), and I wasn’t very hopeful for the July test either.

Results of my last soroban testHowever, last Sunday, at our monthly soroban meeting, my Sensei presented me with a certificate for a “jun-shodan”, half a first dan grade. This you get for at least 80 points in 6 categories, and I was very surprised to receive this at all. But then I remembered that for the dan grades, not only the latest test results count, but also the results of the two previous tests. And since I had more than 80 points in 4 categories in May, and more than 80 points in 4 different ones in July, I passed this test in only two trials.

So, one more level to go. It won’t be easy of course, but with those new rules it might not be quite as tough as I had thought. Wish me luck!

Daimonji

Yesterday was the final day of the Obon festival, where the dead, who have returned to earth during the last few days are sent off to the underworld again. In Kyoto, this sending off is celebrated with 5 enormous fires that are lit on mountains surrounding the city, called the Daimonji festival (or, officially, the Gozan-no-okuribi).

This year, I had wanted to go to Arashiyama to see the large torii, which is the only one of the five fires you cannot see from the city. However, I started a project in the afternoon and overlooked the time and because it takes about an hour from here to Arashiyama, I would not have made it on time to see the fire (each one only burns for 20 – 30 minutes or so.)

So, I decided to stay local and go to the myo-ho, which is not one, but two fires about 20 minutes from my apartment. They are on rather low mountains and other than the big dai on Mount Daimonji and the lovely boat-shaped funegata, I cannot see them from my balcony.

However, even here, I was too late because I underestimated the amount of people who would be in the area. The myo-ho fires can best be viewed from a little road that is usually completely devoid of traffic, but last night it was full with people! While I could see the first one of the fires, the ho, I was just a little bit too late to see the myo character. When I finally had made my way through all the people there, the fire had already gone out…

The "ho" character of the Daimonji festivalOh well, at least I could see the big dai and the funegata on my trip. And next year I know to either be very early, or to take a different road a bit further south where there are (hopefully) no people. Or maybe I’ll make it to Arashiyama to see the torii after all.

Summer Purification

Last weekend, there was a very interesting summer purification rite at Shimogamo Shrine. This time, we random spectators were not allowed to participate, but it did involve the Mitarashi Pond at the Shrine again. When I arrived in the early evening, there was a circle of arrows stuck into the pond, and some fire places were set up and a table for a prayer ceremony.

A circle of arrows in the Mitarashi Pond of Shimogamo ShrineEventually, two priests came to pray in front of the little shrine you see in the back of the above photo, and when it became dark, the fires around the pond were lit. There was quite a bit of waiting, but when it was really dark, two groups of men arrived together with a number of priests. The men took their seats on the steps leading down to the pond on both sides, and there was more praying and a blessing of both groups.

When this was done, a sign was given, and all of a sudden, both groups jumped up and into the water and tried to get as many of the arrows as possible. While they were splashing about, the priests were throwing yellow pieces of paper into the water and onto the participants.Everything was over in two or three minutes when there were no more arrows to be grabbed. The participants, now all wet, sat down again for another blessing, and then left quickly, and the whole ceremony was over.

Nagoshi no Harae ceremony at Shimogamo ShrineThis ceremony is meant to pray for health for the rest of the year, and getting one of those arrows is meant to be extra lucky. I could not find out what was happening after the official ceremony, and what purpose the arrows have, but I guess they will be put in the houses of the participants who won them. However, the yellow paper was in the shape of humans, and on each piece was written a name and the wish of that person for the rest of the year. Those paper dolls were fished out of the water rather unceremoniously in the end, I guess they were thrown away or maybe burnt afterwards.

The most interesting part of the ceremony was that there was one woman amongst all the guys competing for the arrows. Never before have I seen women participate in this sort of religious events (other than as helpers somehow), so I don’t know if this was an exception or common at Shimogamo. Maybe Japan is changing after all?