Seijin no hi

Ah, it’s Coming-of-Age Day again, one of Japan’s Happy Monday holidays. Today is the day where all over Japan youngsters who have turned 20 in the last year visit shrines to celebrate being an adult. Most young people do so dressed in expensive kimono, with elaborate hairstyles, and just the right attitude…

I went to Heian shrine again today in the hope of taking some pictures, but either I arrived too late, or the place to be this year was somewhere else than last year.couple in kimono at heian shrine

Girl and dragon fountainIn any case, there was a large group of young people in front of Kyoto Exhibition Hall, where some group had organised a meeting with speeches and photographers… so I did get some photos after all. Two things surprised me: First, the number of young people who were smoking. It is quite rare to see a Japanese person of any age smoking in public or on the streets. Especially in Kyoto, many tourist areas are strict non smoking zones, probably because so much of these parts of Kyoto are still made of wood, or maybe just because smoking in crowded places is not a very brilliant idea. There were even non smoking signs where the crowd gathered, but the brand new adults defied the signs as well as the guards and the police, who did not bother to say anything to begin with. I guess that they did not want to spoil the fun the youngsters had on their great day.

Second, the guys surprised me again, just like last year. The normal, traditional formal wear for a man has two colours: black and white, and maybe some gray in between. On seijin no hi, however, their kimono and hakama are often more colourful than the girls, and the young men don’t even shy away from dyeing their hair. I guess it’s the one and only and last day when they can be as reckless and irresponsible as possible in public. Obviously they had great fun doing so! Young man in flowery haoriHaori with tiger motifLeopard prints and flower punk

 

Japanese New Year’s Traditions

I have written a little about Japanese New Year’s Traditions last year, and I bet I will be writing on this subject more often 😉 Again, I will focus on the things I have done myself this year.

Just like last year, but this time alone, I went to the other side of Yoshida hill to the joyo-no-kane, the ringing of the bells. I went to Kurodani temple and listened to the bell being rung over and over again. Instead of waiting in line to do my own ringing, I went inside the temple, where monks where holding a ceremony. It was a Buddhist ceremony, and while the bell was ringing outside, four or five monks were banging sticks, sounded a sounding bowl, and recited the name of the Buddha over and over again: Namu Amida Butsu, Namu Amida Butsu

There are many Buddhist sects, but there is that one tradition for everybody, which teaches that anyone can be saved and go to heaven after death who is sincerely calling upon the name of the Buddha. Namu Amida Butsu literally means Homage to Infinite Light, but it can have other ideas behind it depending on the sect. In Japan, Butsu is the Japanese version of Buddha and Amida means as much as merciful.

While they were having the ceremony, people wandered in and out, praying together with the monks or alone, while all through the bell kept ringing outside. As I had no idea how long the ceremony would take, and it was cold in the temple (although it was a bit warmer than last year), I left after a while and went down to Okazaki shrine for my Hatsumode.

Japanese Lucky CharmHatsumode is the very first shrine visit in the year, and people pray there and buy Omikuji fortune-telling slips or Omamori charms. There are many different charms for all sort of things available, and this year I bought one myself: a general happiness-increasing charm in bright yellow.

It already made me very happy: Yesterday evening and all through the night fell Hatsuyuki, the first snow of the year. In fact, Japanese people are very aware of everything that happens or they do for the first time in a new year. I guess many people stay up to see the Hatsuhinode – the first sunrise of the new year. New snow of course invites Hatsusuberi, the first skiing (not for this odd Austrian though), and there is Hatsubasho – the first sumo event – some time in mid January. Hatsuyume – the first dream – is of course very important, and if you can’t sleep, there is always the Hatsuuri or first sale of the year, often with lucky bags that contain surprise items at very decreased prices and may require people to line up in front of the shops. By the way, I have invented my own New Year’s tradition, which I intend to keep up for a long time to come: Hatsuchoco, the first chocolate of the year…

It does not really count towards Hatsudayori – the first exchange of letters – because those cards are prepared well in advance in December; but quite early in the morning on January 1st you will receive New Year’s cards, nengajo. Many people of an artistic bent spend lots of time in making their own, just as my friend has: Hand made New Year's Card 2015

Yuzuyu

It’s winter solstice! Depending on your point of view, this is either the middle of winter or the start of it. In any case, today (actually, late last night), the sun has reached her southernmost point of voyage and will now move northward again, eventually bringing with it: spring… However, this will still take quite a while, before that it will get really seriously cold in the northern hemisphere; not something to look forward to for a heat loving person like me living in central heating deprived Japan…

Anyway, that’s exactly why the Japanese have invented heated toilet seats and hot spring baths. I have written about onsen and sento before, but winter solstice is a very special day there: it’s the day of the yuzuyu, literally the hot yuzu water.

Picture of a yuzuThe what? The yuzu is a citrus fruit with yellow skin, about the size of an orange, but with a taste similar to grapefruit. They have a very aromatic smell, and although rarely eaten raw, they are used to make tea or jelly for example.

On winter solstice, the usually pristine bath tubs of onsen contain yuzu, either floating about freely, or, more often, cut in half and put into the bath water within a net, so that the full aroma is released. Japanese people belive that such a yuzuyu will help keeping colds away and prevent sickness all through the winter.

Well, it worked for me last year, so I’ll go again a bit later tonight…

Poetry Game

Last Monday, suitable for the Culture Day, there was a traditional event that goes back about 1000 years, centred on one of Japan’s favourite pastimes taking place in Jonangu shrine which is equally old and lies in southern Kyoto. The event is called kyokusui-no-en and it is a kind of poetry game or competition involving multiple poets, a little stream, and enormous amounts of sake.

The idea is as follows: A number of poets sit on the banks of a little stream that flows through Jonangu shrine. They all have to compose a tanka – a poem of exactly 31 syllables – on a predefined topic, in a predefined amount of time. How long they have is determined by the stream and the sake: Little sake cups are released upstream and when they reach the last person, the poets must be finished, and then all the poems are read aloud.

I arrived at the shrine – after a trip of 90 minutes, and I hadn’t even left Kyoto just yet – about one hour before the event started. The shrine is very large and has two beautiful gardens with stones and trees and big koi ponds and streams in between. It seems that the cherry blossoms are famous there, but even now the gardens are a beautiful sight. When I arrived at the appropriate part of the garden, I was surprised to see that benches had been set up for the spectators, not just for the honorable paying guests, but for all of us. Never before did that happen, maybe the event was just the right size for this to be feasible.

Another nice surprise were five ladies giving a little koto concert before the main event started. Usually, the spectators are expected to wait in silence until the start of the main performance, but I think everybody was pleasantly surprised. The koto is a traditional Japanese instrument, but they played comparatively modern songs – they had a melody…

The main event – I’m still undecided whether to call it a ceremony, a game, a competition… – started at one o’clock with all the participants, all dressed beautifully in elaborate Heian-style costumes, entering the garden from the main shrine building: First a few attendants from the shrine, then traditional musicians and a dancer, then the seven poets who would take part in the game, and two children who carried long bamboo sticks and were charged with an important role during the game. I’ll get to that in a moment. Important ChildrenFirst, there was some traditional Heian-era court music, thankfully short, and a dancer gave a performance, with traditionally prescribed movements, all executed very precisely, and certainly with a lot of meaning behind each gesture, decipherable only for the initiated. Dance performance

Then, the seven poets were shown a scroll – I assume that the topic of the poem they had to compose was written on it – and then they took their places along the little stream. Reading the topic (?)

On each place there had been prepared a little cushion and a tiny table with writing utensils: ink, brush, and paper. When they were settled and ready to write, the first cup of sake was released upstream. Writing poetry

The cups were mounted on little duck-shaped boats and, as the stream was rather rapidly flowing, they picked up quite some speed. Probably because of that, there was not a single sake-duck released, but quite a number of them, although I could not count them from my vantage point. I did notice, however, that, although the stream was comparatively broad, that sometimes the little ducks would get stuck, and this is where the two children came in. With their long bamboo poles they were supposed to help the sake on its way, and they did so by wandering around the stream and the poets with earnest faces and a grave manner.

When the last sake duck had reached the last poet, all poems were collected. A group of five men dressed like priests would sit down on the platform where the dancer had given her performance before, and then would read each poem. First, the name of the writer was announced (and probably also the poetry school he came from, but I am guessing here) and then the poem was read once by one person, and then by all of them, both times in a kind of chant, as I have seen before at religious ceremonies. Obviously the topic had been somehow related to autumn, I could make out words like trees, colours, leaves, autumn, momiji…The reading of the poetryDuring the reading, more sake was sent down the stream, and this time I could see some of the poets drinking a cup or two. Howver, most of the sake was probably imbibed by the koi in the next pond… Anyway, after all the poems were read, the poets, dancers, and musicians left the garden. I thought there would be an announcement of a winner, a best poem nominated, but I was told that was not the purpose of the meeting. I know, however, that in the Genji Monogatari (*), where this game was already mentioned, there was always talk about people writing good and bad poems, so I think that in the olden days, there was probably lots of judgement going on… Heian court ladyAfter the poets had left, there was a purification ceremony at the same little stream. People were invited to buy a little piece of paper in the shape of a man or woman, handle it in a prescribed way and then release it into the stream, to the incantations of a priest. Again, the two children were there and gently used their bamboo sticks to guide the prayers and wishes on their way.

(*) The Genji Monogatari, the Tale of Genji, is one of the oldest Japanese novels, written in the 11th century by a lady in waiting on the Heian court. Apparently, the game had already taken place then in the same shrine as now.

Bunka no Hi

Today is the Japanese Culture Day, bunka-no-hi, which has the purpose – what a surprise – to promote culture and arts, but also academic studies.

The first Culture Day was celebrated in 1948, as this was the day when the Japanese postwar constitution was announced two years earlier, in 1946. However, November 3rd had already been a holiday from 1868 – 1912; it was then celebrated as the birthday of the Meiji emperor. When he died, the practice ceased of course, but in 1927 the day became again a holiday, called Meiji-setsu. Hence, today has been a holiday – albeit under varying names – for about 130 years in total.

Kyoto national museum ticketAs I had last week off so to speak, I did my bit to appreciate culture, although not everything I thought I would. I went to the Kyoto National Museum and saw their normal collection in the newly built Heisei Chishinkan Wing, an interesting, brand-new building that had been opened in mid September this year.

From a friend I received a ticket to the International Print Exhibition, Australia and Japan, which is held in the Kyoto MunicipJapanese Australia Print Exhibitional Museum of Art until November 9th. There were prints (woodblocks, lithographs, engravings, etchings, modern photo prints…) of 38 Australian and 106 Japanese artists. There were some very striking pictures, but interestingly, I generally preferred the Japanese prints over the Australian ones.

Today, in celebration of the holiday, there is an interesting ceremony related to poetry going on in one of the shrines of Kyoto. The shrine is quite in the south of Kyoto, and I will have to leave soon to get a good spot for taking pictures. I shall write about this on Wednesday.

Matsuri!

Yesterday was the matsuri of Yoshida shrine, which I consider “my” shrine, as it is less than 5 minutes away from Ebisu’s. It was a matsuri as many others I have seen before, but on a much smaller scale, it felt almost intimate.

As I got the timing wrong, I was very early and could see the preparations. Some things were ready: The main mikoshi had been prepared and the seats for the priests, the musicians, and the local dignitaries who would be present during the religious ceremony. The three carts that would be carried or drawn through the streets: a large cask of sake, a small mikoshi, and some sort of sacred tree, decorated with paper. Mikoshi of Yoshida shrineOthers were still in the making: Four Taiko drums were set up at the main square of the shrine and carefully covered to shield the skins from the sun before the performance. People who would be participating in some way or the other, would get dressed: the dignitaries mentioned above, the students, both male and female, who had the honor to carry the mikoshi through the streets, the children who would accompany the parade. little samuraiThe two students who would play the important role of the lion got into their costume – and into their role. I could ask them a few questions, they were highschool students and it was not their first time. The lion – shishi – who accompanies the parade is performing a lion dance – shishimai – and part of that dance is to chase and bite little children, in order to bring them luck in the next year. Apparently their parents like that idea better than the kids though… mask of a Japanese lionFinally, the preparations were over, and as a sign that something would start happening, the musicians took their seats. Then, the dignitaries formed a lane through which the priests – five of various ranks, distinguishable by their robes – would walk toward their seats in front of the musicians, then the dignitaries – all dressed in black ceremonial kimono with gray hakama – would take their own seats opposite the priests.

The ceremony started with the usual bowing and consecration rituals. Then the priests got up and went to a small shrine, and, while the musicians played a tune – well, a single tone, actually, that sounded both creepy and hallowed – they transferred the kami of that shrine into a little portable shrine, and from there to the large mikoshi that had been prepared. Then, more bowing followed, and each of the dignitaries made a small offering to the kami in front of the mikoshi. When that ceremony was over, the people gathered for the parade. start of the paradeUnder the drumming of the taiko the parade started out from the main shrine, uphill past four other, smaller shrines (I am never sure whether they have anything to do with Yoshida shrine or not) and then, the parade meandered through the neighborhood, with a drum upfront, the two mikoshi behind – carried by a large group of girls under many washoi-screams – and the lion doing his dance to scare, I mean, bless the children. Yoshida matsuri parade

Taiiku no hi

running shoes on display in a shopToday is another one of those Japanese “Happy Monday Holidays”, it is called taiiku no hi, the Health and Sports Day, held every year on the second Monday in October. It originated in 1966, two years after the Summer Olympics took place in Tokyo, and it is meant to promote an active and healthy lifestyle, both physically and mentally, interestingly.

Around this day, many schools have some sort of sports event; I passed by the primary school nearby on Saturday, and indeed, there were lots of kids on their athletic ground, doing gymnastics, and lots of parents standing there watching, with and without cameras and smart phones.

I have to confess that the only type of sport I was doing today was cleaning my room and going shopping for emergency chocolate. There has been a typhoon warning for the east coast of Japan, and it is supposed to hit us tonight – it is raining right now, but still comparatively quiet…

Comb Festival

It was a great autumn day today, 30 degrees, sunny, with a clear blue sky… I celebrated by going to a quite unique festival in Yasui-konpiru-gu shrine: The comb festival or kushi matsuri. Similar to the needle festival I visited last year, here people bring their old combs and hair ornaments to the shrine where a ceremony is held for them. Detail of Japanese hairstyleApparently the idea behind these ceremonies is, that when an object has been used for a long time, they possess spirit – imbued by their owner’s or their own – and it is thus proper to send those spirits back to the gods instead of just tossing the item. Such ceremonies are held in various shrines and temples for a number of things: needles, combs, calligraphy brushes, dolls,… Unfortunately, I could not find out what would happen to the combs and hair ornaments that were brought to the shrine, but the thing in the back of the image below is called the kushi zuka, the comb mound, so maybe they are interred there, or at least, at some former time may have been. used combs before the comb moundJust like last year, there was first a ceremony and afterwards a short dance performance called “black hair dance” as an offering to the gods. The special thing about this ceremony at this shrine, however, is the attendance of about 50 young girls sporting the hairstyle of various periods in Japanese history. Of course, they wore beautiful kimono of the appropriate time as well, but the show piece were clearly the various coiffures. Japanese hairstylesI asked one of the girls in an elaborate Edo period hairstyle whether this was all her own hair. In case you consider me rude: Geisha very often have rather short hair and wear wigs for their performances, so I was curious.Japanese hairstyleShe said her hairstyle was about half-half, that some of the longer parts were hair pieces, made in the way they had been produced in the Edo period. It was very well done, and practically impossible to distinguish the pieces from her real hair, but, taking a closer look, especially from behind, you could see for example pieces of black paper that were used to style the hair.Japanese hairstylingShe also said that finishing her hairstyle would take about 3-4 hours – she must have gotten up very early this morning! After the ceremony and the dance, the girls formed a long procession through Gion, but I did not go with them, I had had plenty of photo-opportunities in the shrine already.Japanese hairstyle

Keiro no Hi

It’s national holiday in Japan! Today we celebrate Keiro no hi – the Respect for the Aged Day. Japan, more than any other industrialised nation is an ageing society with a birthrate of only 8.07 births per thousand people (in Austria, it’s 8.76). Walking around in Kyoto and seeing all the young mothers with small children, often two, sometimes even three, does not do much to prove those statistics, but maybe Kyoto is simply a good place to raise kids.

Anyway, back to the aged, who have statistics of their own. Just a few days ago, the government has published new numbers. Currently, there are 58.820 Japanese that are more than 100 years old (that’s 4423 more than last year). Why there are so many centenarians in Japan is open to speculation; personally I’m not sure whether I’d like to get that old. My grandmother often said that everything was fine until she turned 80 – and then it went downhill…

In any case, women do tend to get older than men. Of all the centenarians above, 87.1% are women, that’s more than 51.000. The oldest living Japanese – and also the oldest living person in the world – is also a women: Misao Okawa, born in 1898, is now 116 years old, imagine! She claims that sushi and lots of sleep are the reason for her longevity. I might just go and try that – good night!

Jizo-Bon

Yesterday, I was woken up by the neighbours just before 8 am. They were already up and about on the little street down the steps from our house and chatting and laughing and doing something. Children were also already up and running about – what ever happened to sleeping in in the weekends? There was something going on all day, and in the early afternoon, the party culminated in a little ceremony at the Jizo shrine at the bottom of the steps… This I found worthy of investigation, and, lo and behold, last weekend was Jizo-Bon, the Jizo festival.

These are the Jizo statues in our Jizo shrine at the bottom of the steps:Jizo Shrine

Jizo is a Buddhist saint, a Bodhisattva (Japanese: Bosatsu), that means, he has attained enlightenment, but will stay on Earth to save other souls. O-Jizo sama is chiefly the guardian of children, dead or alive, but he also takes care of travellers and firefighters. Thus, he is probably the most popular saint in Japan and his statues can be found everywhere. Often he is depicted as a simple Buddhist monk walking with a staff, and the statues are clothed in little red or white hats or bibs. The idea behind that is that, as Jizo will take care of dead children, he will protect them from harm and cold – and pass on the clothing.

Jizo-Bon is the yearly festival for this saint, and it happens on August 24th (and sometimes also on August 23rd). Traditionally, it has been a day to confess bad deeds to the Jizo and asking for their forgiveness, and probably many people still do that. Nowadays, it is often combined with a children’s festival, Jizo-sai, where the neighborhood children are allowed to do little things like changing the clothing of the Jizo statues or painting their faces, and eat red-coloured food. From the sound of it, it seems that the kids had lots of fun last Sunday!

Note: I will visit a friend in Nagoya for the rest of the week, so my next post will be in September!