Just as promised in my last post, I went to the Yes…Noh event at Murin-an garden last week with a friend of mine. My friend was semi-happy about it, since she is not really into Noh, but she likes the garden, so this was a good compromise. And I had fun, even though the Noh was not quite as I expected.
I thought that maybe we’ll see a few scenes with a fully dressed actor, but no, it was a su-utai performance. Here, the actor sings his role (or part of it) but there is no accompanying music, no costumes, no mask. The only accessory he has is his fan. This kind of performance feels very raw, and because of the venue it was very intimate too. The actor sat in one of the rooms of Murin-an and sang while looking out into the garden. And for two more acts, he stood in the garden and performed there.
We got a short introduction to the play the songs were taken from, it was Yuya, suitable for the sakura season. The play was well-chosen, not just to fit the season, but it also is set nearby, at Kyoto’s Kiyomizu-dera temple. Like many of the Noh plays based on the Heike Monogatari, it is said to have a true core. Anyway, here is a summary of Yuya:
Yuya is a concubine to Taira no Munemori, one of the most powerful men in the country. She receives word that her mother is sick and begs to return home. But Munemori refuses twice, he wants her to be present at a cherry blossom viewing. There, a little rain makes the cherry blossoms fall, Yuya composes a poem on the fly and Munemori finally relents and lets her go.
A lovely sentimental play for a lovely time of the year (even though Murin-an is not famous for its cherry blossoms…) And there’s more to come: Apparently, this is now a monthly feature event at Murin-an. I’m looking forward to more!