My Favourite Painting

I want to express my symphony in the painting by interpreting a musical score in my own way.

This is “Symphony”, a 1961 nihonga painting by Insho Domoto (1891 – 1975), one of the most versatile and prolific painters of Kyoto. In his life, he had essentially three great periods of paintings: The earliest, where he produced traditional nihonga paintings. The middle one, after WWII, is characterized by Western-style paintings, reminiscent of the art produced in Europe at that time. Finally, when already in his 70s, he turned to fully abstract art like the one above. I will talk about him in more detail in another post.

When I first saw this painting – as a postcard-sized reproduction to boot – it touched me deeply. And last Friday, when I went to the Insho Domoto Museum and saw it “for real” for the first time, it moved me to tears.

What you cannot see in this reproduction is that the black ink strokes are textured, like seams of coal that have been excavated from the earth with shovels. The large golden dots to the right of the center stand out of the painting like buttons.

When I stood before it on Friday, I thought that the black figure in the center is a bird; the head the large slanted stroke to the left, connected to the feathery body with a long neck, like a black heron. I find it very hard to describe what I feel when I look at this painting. It overwhelms me, somehow, and I had to step back and go elsewhere three or four times while I was looking at it, almost to calm my nerves. I think this is a masterpiece, but do I think so because of its artistic value or because of the feelings it invokes in me?

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.